The Grey – ☆☆☆1/2 out of 5

Liam Neeson tapes broken bottles and a knife to his hands in The Grey. (Photo courtesy of moviespad.com)

As Posted on At The Buzzer on January 28, 2011

By Gary Sundt

At the risk of spoiling the entire film, I must warn anyone who was stirred to see The Grey from its promising trailer. It’s not that the latest picture from writer/director Joe Carnahan (NarcSmokin’ Aces, The A-Team) isn’t his best yet — in point of fact, it is — but it’s that the film that was sold to you is not really what you’ll be getting. It’s not dissimilar to Drive, an art film stuck with a “fast and furious” trailer. These aren’t bad movies, but the false pretense on which you see the film may leave you dissatisfied. Continue reading

Sex, Trees, Wizards, and Aliens, or The Very Best of 2011

When I googled “Shame,” this is what the image search gave me…

As Posted on AtTheBuzzerShow.com on January 21, 2012

By Gary Sundt

Hey there, gang! My name is Gary Sundt, and this is my very first piece as film critic for At the Buzzer. To those who know my film criticism, hello again. To those who are new to the game, glad you could make it, and check out my past reviews over at garysundt.wordpress.com. And to those who have a problem with my opinions and wish to strike up a debate about films and filmmaking, please feel free to do so as I’ll be thrilled to pound your very wrong opinions into the ground.

Now that we’re done with formalities, let’s get to my breakdown of the Best Films of 2011. While I thought coming up with 10 films I loved from 2011 would be difficult, I’m rather surprised to discover just how much there was to love. I’ve written a lot of these lists in the past, and I’d like to try something different this year by merely denoting my favorite flicks and giving them awards I’ve seen fit to make up.

From lizards to mutants, from aliens to sad people, from sex to sex with the Irish — here’s my recap of the very best of 2011 in film. Continue reading

Gary Sundt’s Top 50 Favorite Films

As Printed in The Lumberjack on Dec. 9, 2010

by Gary Sundt

After four years of reviewing movies, it seems fitting to sign off my beloved post by providing a list of my 50 favorite films. This list is by no means a “best of” list (mainly because those are almost completely pointless), nor is it a listing of the films in order of their quality (example: Mallrats is in no way a better film than Eternal Sunshine of the Spotless Mind). Rather, this is a list of movies that have had a large impact on me in some form or another, and have helped shaped the moviegoer I am today. Were you to ask me about this list tomorrow, it would probably be different. Continue reading

After four years, Gary is finally stepping down as movie critic. Thank f$#@ing Christ.

"Sad Gary:" The End of a Comparatively Short Era

As Printed in The Lumberjack on Dec. 9, 2010

by Gary Sundt

Four years and over 100 scores ago, I took over as film critic for The Lumberjack Student Press. The then-A&E editor, Jennifer Palmer, appointed me to the gig, and I became the newspaper’s first staff movie critic (at least to my knowledge, though I’m sure a retraction will be in order soon enough). Eight semesters later, I have reviewed over 100 films in print, and even more online. If you’ve read a movie review in this newspaper, and wanted to punch the writer in the nose for bashing your latest favorite flick, that guy was (most likely) me.

That said, this is my final column as official movie critic for The Lumberjack. Next semester will (hopefully) be my last here at NAU, and while you may catch me doing an Oscar picks column or writing a filler review should somebody’s dad die, I will be stepping down in any and all official capacities. There is talk of me perhaps doing a movie review show on either KJACK or UTV62 with the new film critic, A&E section editor Matthew Vinsko, but I’m not making any promises.

Looking back, being a movie critic is sort of a weird gig. Like most jobs that I love, I’ve taken this one more seriously than I probably should have. While majoring in economics at NAU, I have studied cinema and the art of studying cinema more than I have done my homework in any given semester.

In all that time, what have I learned? Nothing that hasn’t been worded better by somebody else before me. In his Book of Film, Roger Ebert wrote of being a film critic, “You attend one, two, or three movies a day… taking notes or not, emerging for five minutes or an hour in between to blink in the daylight, and then you try to describe what happened to you.”

See, being a film critic has nothing much to do with the multitude of flicks that one sees (though viewing and remembering well over 5000 distinct movie-watching experiences can help), but rather one’s ability to articulate film grammar and one’s own opinion to a reader that probably doesn’t give much of a crap; these days, they mostly just want to see how their own opinion compares. After four years of doing this job, I can safely say I might scarcely know more than any professional, or even any moviegoer for that matter, but I’d say I know enough. So when I said that Resident Evil: Afterlife sucked real bad, just go ahead and take my word for it that it really did.

Finally, before those of you who have hated the movie reviews for the last four years begin to chime in, I have not been, to use utterly dated parlance, “kicked off the island.” I’m proud to say that after four years, I stepped down off this overstated throne of my own volition. I am the longest-running film critic this publication has ever had, and nobody ever took it away from me. Maybe that has more to do with my personality or my tenacity rather than any actual talent or expertise, but I’d like to think I was decent.

So this is Gary “The GareBear” Sundt, signing off. I’m gonna go try to graduate now.

Note: As of right now, I have not decided whether I will be continuing to write movie reviews on this website. I’m at a bit of a crossroads, but I’ll let ya’ll know what I decide.

All Day (Girl Talk) – ☆☆☆☆ out of 5 stars

As Printed in The Lumberjack on Dec. 2, 2010

by Gary Sundt

Girl Talk, aka Greg Gillis, is a DJ, which means his credibility as an artist is immediately called into question. Putting it simply, he mixes several songs together. However, his individual and innate instincts to mix and remix these very specific samples of music into entirely new and cohesive tracks is undeniably impressive, and All Day, his latest album, is an illustration of this skill. All Day has an expansive feel, as though creating an overview of the American pop music scene, while creating a danceable club mash-up of popular culture and Top 40 hits, featuring no less than Lady Gaga, Dr. Dre, The Jackson 5, Kesha, and John Lennon. Continue reading